Clue-ing for looks : 1 of 894
Clue-ing for looks
" Confetti! IT'S A PARAAADE! "
Rebekah of Cornwall. 17 years old.
Welcome to my blog! Am I the real?

This is generally a fandom blog...

I blog mainly:
  • Sherlock
  • Hannibal
  • Supernatural
  • Doctor Who
  • Star Trek
  • Dan and Phil!
  • Amusing text posts

    Also blog:
  • Hollyoaks
  • Comedy Panel Shows
  • The Musketeers
  • Twin Atlantic ♫
  • Breaking Benjamin ♫
  • Framing Hanley ♫
  • Merlin
  • Starkid
  • Seb Vettel (& other F1 stuff)
  • KITTIES

    ...and lots of other random things that interest me.

    Click here for more about me!
  • This font seems a little dated, let’s try something more modern. I’ve always loved that Comic Sans.

    telapathetic:

    Your party mustn’t be very good if you have to snapchat me all of it

    221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.
Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know. 
That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

    221beemine:

    I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.

    Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know

    That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

    The Dean Winchester Meme: Favorite Scenes [1/10]

    • 561,235 Plays

    ijusthappentolikeboys:

    veggieblt:

    image

    I. HAVE. BEEN. WAITING. FOR. THIS. TO. BE. BACK. ON. MY. BLOG.

    randompandemic:

occasionalmadness:

buggy-heichou:

Me when I fight enemies in video games.

I feel like this is the GIF I have been waiting for to best sum up my boss fight strategy for every game ever.  And I’m not sure which cat I am.

I have been both cats.

    randompandemic:

    occasionalmadness:

    buggy-heichou:

    Me when I fight enemies in video games.

    I feel like this is the GIF I have been waiting for to best sum up my boss fight strategy for every game ever.  And I’m not sure which cat I am.

    I have been both cats.

    (Source: thecatsmustbecrazy)

    colour study | alana bloom + blue

    Blue associates Alana with a much more professional side of herself compared to when she wears red. Whereas she still allows herself to voice her opinions on a situation, she is perhaps almost unknowingly led in that direction by Hannibal.

    In the first season, blue is used in an interesting way where she unconsciously shifts between two agendas with Abigail. Compared to when she wears red and showing maternal protectiveness for Abigail, when Alana wears blue, she chooses to approach Abigail to observe her behavior, which she then reports back with her own opinion to Hannibal and Jack. She also wears blue in scenes where Hannibal’s influence is obvious, such as when he knocks her out to help Abigail hide Nicholas Boyle’s body, when she is discussing Will’s increasingly unstable state of mind with Jack and Hannibal, and when she and Jack chase down Will to stop him from killing Hannibal.

    Alana wears blue when she is working with Hannibal or rather, when she is not on Will’s side. In Trou Normand, when she tells him she cannot pursue a relationship with him because he is unstable, and in Rôti when Will rebuffs her playful flirtations because of being well aware what she thinks of him. This emotional distancing is more obvious after Mukozuke when she stops wearing red altogether in favour of blue. Compared to when she still had lingering hope for Will in early episodes of Season 2, she steps over to Hannibal’s side and walks away from Will’s for good.

    medicalmikku:

coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee 

    medicalmikku:

    coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee coffee 

    fantatasia:

    YOO

    (Source: cracked.com)

    dannynorth:

Twin Atlantic // Leeds Festival 2013

    dannynorth:

    Twin Atlantic // Leeds Festival 2013